Your Morning Show
Monday, November 24th, 2014 by Mike McKay
November 24, 2014: The 101 number one song of the day had an odd journey to the top of the heap and the lead vocalist wasn’t even a member of the band – ever – before or after it became a hit.
It was recorded by a group called Thee Sixpence whose members had composed the instrumental track. The lyrics were added by a college student named John Carter who was invited to be at the session. Thee Sixpence resented someone putting words to their music and relegated the song to the status of an afterthought so they didn’t bother to protest when Carter said their lead singer wasn’t right for the song. Carter picked another guy who was there to sing lead. The next day, that guy was gone and when asked what happened to him, the band members said he was just someone who happened to be there that day and he wasn’t part of the group. Since they didn’t think much of the song in the first place, his vocals were left in place. When a couple of their songs were released on a small label, they looked in Billboard magazine and discovered two other bands with similar “sixpence” names. So they turned the page and closed their eyes and pointed to a random spot. A finger landed on a Beatles’ song. It was Strawberry Fields Forever and that pointed them in the direction of the name they would use when the song they didn’t care for arrived at number one. It was this week in November, 1967. And when they made appearances to support the song, the lead vocal was performed by their drummer who sounded the most like the anonymous guy whose voice is actually on the record. And by the way, he played the bongos with his hands on fire. Go figure – it’s the Strawberry Alarm Clock and “Incense and Peppermints.”
Thursday, November 20th, 2014 by Mike McKay
November 20, 2014: The 101 number one song of the day won an Oscar for its creator but what he really wanted was the lead role in the movie for which it was written.
He was invited by MGM executives to discuss a novel they had acquired. He thought he was being interviewed to star in the movie but during their meeting he agreed to write the score for the film about a black action hero. Instead, a few weeks later he was informed that actor Richard Roundtree had been cast in the role. Although disappointed, he had already committed himself to writing the music, so he fulfilled his obligation. It would go on to win an academy award for best song but by then it had already risen to number one on Billboard’s Hot 100 where it was on November 20, 1971 – Isaac Hayes (Shaft)
Wednesday, November 19th, 2014 by Mike McKay
November 19, 2014: The 101 number one song of the day was written for a movie and performed as a duet by two individuals who had never met until they walked into the studio to record and it went on to win an Oscar.
One half of the duet – who had previously recorded an Academy Award winning song for the movie Norma Rae – was initially rejected for the project because the director thought she sounded too “sweet” but when it was suggested that she pair with a raspy voiced rocker from England – they were given the go ahead. The movie in question was “An Officer and a Gentleman” and it was the number one song in America on November 19th 1982 for Jennifer Warnes and Joe Cocker – Up Where We Belong
Tuesday, November 18th, 2014 by Mike McKay
November 18, 2014: The 101 number one song of the day established a group with a reputation for “flops” as their legendary record label’s go to girls.
Four months earlier, they were known as the “No Hits” because of a succession of songs that went nowhere. But suddenly they had a number one hit which was not at all unprecedented at Motown but until the time, no one who recorded for the that company was able to repeat that feat. But with the arrival of the song you’re about at the top of the charts, they had a second number one song making them the first in an incredible stable of artists and placing them squarely in the forefront. And that brings us to the 101 number one song of the day which was on top on November 18, 1964 for the Supremes. (Baby Love)
Monday, November 17th, 2014 by Mike McKay
November 17, 2014: The 101 number one song of the day was written and performed by the first Beatle to record a solo single but he was the last to have a number one hit on his own.
Actually, he wasn’t completely on his own because Elton John played piano and organ and sang backing vocals on the record. Elton was sure it was going to be a number one song but the former Beatle was convinced otherwise, saying, “It would be nice but I’m out of favor here.” He was referring to the U.S. Elton bet him it would get to the top saying if it got to the top, he’d have to appear in concert with him. It was number one on November 17, 1974 and within two weeks he walked on stage at New York’s Madison Square Garden to keep his end of the bargain. Here’s today’s 101 number one song of the day for – John Lennon – “Whatever Gets You Thru the Night”
Friday, November 14th, 2014 by Mike McKay
November 14, 2014: The 101 number one song of the day was a one hit wonder by a guy who, in actuality, had a whole string of hits. How can that be?
It was recorded by a man who had lots of success recording other people’s compositions and covering songs that were already hits for someone else. He had so much success, in fact, that he was afraid to record something he had written himself but eventually he took the gamble and it not only became the only hit he ever wrote himself, it became his biggest hit ever and his only charttopper. And on November 14, 1966 it was the number one song in the land – for Johnny Rivers – “Poor Side of Town.”
Thursday, November 13th, 2014 by Mike McKay
November 13, 2014: The 101 number one song of the day did what most people considered impossible. It was the first record ever to enter the British singles chart at number one.
It was written by the great songwriting duo of Jerry Leiber and Mike Stoller who met today’s featured artist for the first time at the recording session for this song. They were very impressed with his talent and work ethic. He would do a great take and then insist on another and another. To unwind, he’d sit down at the piano and sing a hymn. He never looked at the clock. Today’s 101 number one song of the day was a title song to a movie and it was number one on November 13, 1957 for a workaholic Elvis Presley – “Jailhouse Rock”
Wednesday, November 12th, 2014 by Mike McKay
November 12, 2014: The 101 number one song of the day almost didn’t get to be a hit at all because program directors at radio stations across the country were too nervous to play it until the felt they felt they no longer had a choice.
The public demanded it. Even though this was during the seventies, the content still seemed to racy for airplay. But stations were inundated by listener requests and eventually, the song found its way onto the air in more and more places. As a result, it quickly rose to the top of Billboard’s Top 100. It would become today’s featured artist’s second number one hit when it landed on top this week in 1976 where it stayed for 8 full weeks. Here’s Rod Stewart with “Tonight’s the Night”
Tuesday, November 11th, 2014 by Mike McKay
November 11, 2014: The 101 Number One Song of the day was the fifth and final number one song for a 70’s super group who kept their vow to quit while they were on top.
Well they kept that promise for a while, anyway. One of the founding members was quoted as saying that he knew the band was over halfway through the recording of the album which produced today’s featured single. He went on to say, “I started the band, I got tired of it and I quit.” No wonder he and his other bandmates grew tired. They began recording the album in 1977 and it wasn’t completed until two years later but once it was, today’s song moved faster than any of their previous singles up the charts and on November 11th, 1979 it was number one – for the Eagles – “Heartache Tonight.”
Monday, November 10th, 2014 by Mike McKay
November 10, 2014: The 101 number one song of the day was intended for an audience of one. The songwriter never wanted the public to hear the song he had composed especially for his brother.
He had a speech impediment. He stuttered. So the writer and lead singer deliberately stuttered on the song and planned on sending it to his brother who’d then have the only copy in the world. Obviously, it didn’t work out that way. The band was working on their third album when the head of the label said he didn’t hear the “magic” and asked if they had anything else to offer. The only thing that available was the song you’re about to hear and it was offered up with great reluctance because of the personal nature of it. The executive said it was better than everything else so the writer agreed to include it on the LP only if he could re-record it without the stutter. He tried but he said he sounded like Frank Sinatra. So the original was used and the rest is history as it wound up at number one on November 10, 1974 for Randy Bachman and Bachman Turner Overdrive. (You ain’t Seen Nothing Yet)